 | Cultural and Creative Industries David Hesmondhalgh Forthcoming in Tony Bennett and John Frow (eds) (2008) Handbook of Cultural Analysis. Oxford and Malden, ma: Blackwell 95.29 Kb.  3 | read |
 | Identifying Logical Fallacies Following are excerpts from various publications. Each excerpt has one or more logical fallacies. Try to identify and correct them 15.86 Kb. 1 | read |
| In the royal courts of justice queens bench division plymouth district registry During the course hip replacement surgery, the claimant, then aged 54, suffered a severe injury to the left femoral nerve. The trial is listed on 6 June 2016, so some 17 working days from today 75.3 Kb. 1 | read |
| Critical Theory and Practical Philosophy: On The Moral and Political Credentials of Frankfurt School Social Criticism The term “critical theory” is now part of the lingua franca of academic discourse in 116.88 Kb. 3 | read |
| Mark kappelhoff Other individuals are homeless because of circumstances beyond their control; they are victims of domestic violence and trafficking 70.17 Kb. 1 | read |
| All references and notes related to the World Wide Web are cited on 19 Auslander, P. ”Ontology vs history. Making distinctions betweern the live and mediatised” in The 1997 Performance Studies Conference, 1997. At 27.98 Kb. 1 | read |
| Keywords: rewards-based crowdfunding; business model; music industry; financial model; user-centric; innovation Introduction Furthermore, major labels are now considering a more user-centric financial model as an innovation strategy, and the impact of crowdfunding on their marketing model may already be initiating its development in terms of creativity 336.2 Kb. 3 | read |
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| A word from the editor Occasional bullets, and also indenting of passages that are not quotations, are meant as aids to grasping the structure of a sentence or a thought 72.1 Kb. 1 | read |
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